Ah to be alive
on a mid-September morn
fording a stream
barefoot, pants rolled up,
holding boots, pack on,
sunshine, ice in the shallows,
Rustle and shimmer of icy creek waters
stones turn underfoot, small and hard as toes
cold nose dripping
creek music, heart music,
smell of sun on gravel.
I pledge allegiance
I pledge allegiance to the soil
of Turtle Island,
and to the beings who thereon dwell
under the sun
With joyful interpenetration for all.
– “For All,” Gary Snyder, Turtle Island
From the literary tradition of Tai Chi, which goes back many centuries, we take a step forward to the literary tradition of the 1950s Beat Generation, which was celebrated in Jack Kerouac’s novels – and in the books and poetry of his fellow road wayfarers, including Allen Ginsberg, William S. Burroughs, Gregory Corso and Gary Snyder.
Snyder, the inspiration for the lead character in Kerouac’s Dharma Bums, Japhy Ryder, was a charismatic poet and outdoor adventurer equally drawn to Native American and Zen Buddhist cultures. He won the Pulitzer Prize for Poetry in 1975 for his collection, Turtle Island, which celebrated his beloved Mother Nature and the ecosystem we inhabit.
As Kerouac’s Dharma Bums ends, Snyder has set sail for Japan and a decade-long odyssey in the Far East, where among other works he translated the Cold Mountain Chen (Zen) poems of Han Shan, a Chinese monk from the Tang Dynasty. At 86, he’s the only one of the “Bums” still alive, a professor emeritus of English at the University of California, Davis, and an occasional lecturer.
Years after the Dharma Bums split in California, and after Kerouac’s sad self-destruction, the literary lights of the Beats got together at the Naropa Institute in Boulder, Colorado. Ginsberg and Snyder were on the faculty for a while, and Ginsberg was instrumental in founding the Jack Kerouac School of Disembodied Poetics, naturally.
In 1975, William Burroughs brought his trippy take on literature and poetry to Naropa in a lecture that has been transcribed and posted in The Ginsberg Project, a fun blog I recommend. In the first installation, Burroughs encourages the students to experiment with language, to conduct exercises that stretch the boundaries of words and images. He invokes a “cut-up” style that might skew Rimbaud’s poetry at random, creating images of a different order.
Being a seminal literary light on the Beats, Naropa Institute is a natural destination on my national search for the New Dharma Bums. My friend Lee Fife is teaching Tai Chi there, and I have a good friend whose son, a student at Naropa, has promised a VIP tour. I’ve talked with other teachers from across the country who are doing innovative work, and I hope to visit many of them.
Much depends on the success of my Kickstarter project. The contributions are trickling in, and I hope to make the trip by the fall, maybe sooner. With $1,430 pledged, the project is now 29 percent funded. Under Kickstarter rules, the project does not receive any funds unless the full $5,000 goal is fulfilled by the deadline – Sunday, July 10. I hope others will want to join me as I answer this call of the wild, and contribute to the project.
Inevitably, my final destination in this saga is California, scene of so much past dharma bumming. Ideally, I will be able to track down Professor Snyder for an interview, to find out more about his lifelong search for dharma. Still reading and writing poetry, Snyder speaks out today as an environmental activist.
With a degree in anthropology, Snyder concedes that, “as a poet, I hold the most archaic values on earth. They go back to the late Paleolithic: the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth; the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.”
Here’s Snyder reading his poem, “Riprap,” now 54 years old.
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